While these and others shared some elements of Harriott's approach, none of them moved as early as Harriott into the next crucial phase of his artistic development - his collaboration with Indian violinist John Meyer to produce Indo-Jazz Fusions in the mid to late 1960's. As George McKay simply sums up, in their 3 albums 'the black Atlantic met the Commonwealth in the old heart of the Empire' ('Circular Breathing' G. Mckay p. 158)
As important as Soweto's recent success is, so is the development of Dune as a label and force in music management. Here we have a black and woman led British jazz label which is setting the pace in jazz innovation in the UK, but is also going about its business in a clear and strategic long term fashion which aims to sustain itself as a commercial enterprise and the careers of its artists by supporting each other in their albums, tours and other work. Gary Crosby, the other driving force behind Dune, set out his agenda some years ago in his interview with Mike Pearson. Beginning by talking about audiences, he says:
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